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By two o’clock one bright afternoon in May the school children found it hard to keep their minds concentrated on their lessons. But when their teacher said, “Now, Moses, will you pass the singing books,” a wave of awakened interest perceptibly cleared the atmosphere. Moses promptly proceeded to distribute the geography textbooks. Mr. Wopp and Moses, who had hurried to the upper storey to escape the recital of the ketchup episode, now came heavily down the stairs, their task at last finished. Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails..
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Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor. “Oh, he is a wonderful piannerist,” explained Betty. “He played, Oh, jist lovely, jist like birds singin’ an’ rivers runnin’ an’ the sun shinin’. But arfter he played he looked so fierce I was skeered of him. Miss Gordon didn’t like him either, arfter she got knowin’ him better.” At this juncture there was a knock at the door. It was Howard Eliot who had called for Nell. IT was a gray, cold day, unusual for May, the kind of day that accords with ill-nature. It reminded Billy of the incident of the opera when Rain and Storm, driven by his own insistence, had blown in on the stage quite out of season, and dragged off with them the remnants of winter. For the first Sunday since May Nell’s coming he took his wheel after dinner and went off alone. He was in accord with the sullen sky and air. In the morning he had answered his mother angrily; because Bouncer wished to play instead of coming through the gate when called, Billy had slammed it on his tail, knowing well that in a happier mood he would have been more careful..
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